The North Mississippi All Stars are killer collaborators, having worked with Robert Randolph, the four Johns; Medeski, Hermann, Spencer and Hiatt, not to mention Luther’s latest gig with the Black Crowes. (00:31)

Fighting the future is a feeble battle; despite the way it alters the product, digitizing is essential for music’s direction. (00:35)

Luther is more of a van man, with little luck writing on the ‘Magic Bus’. (00:33)

Luther sums up that his life is reflected in the song, ‘Dancin’ In The Streets,’ where America blends into a global rock society, with burritos.

(00:47)

The North Mississippi All Stars have rode the ranks of Manhattan venues, from The Lakeside Lounge, to The Bowery and Irving Plaza, all the way to a coveted opening spot at MSG. (00:37)

Easy access to music has spoiled us, and has simplified the process of acquiring new music; still, nothing compares to the sights, smells and sounds of the record store. (00:49)

Strumming on his first plastic axe, Luther had no choice but to grow up, because everything was ‘Too Big.’

(00:26)

In exchange for the use of the name ‘Songs Of The South,’ the boys agreed to record an acoustic version of ‘Zip–A-Dee-Doo-Dah’ with Br'er Rabbit. (00:32)

Luther has the extremely rare but much coveted position as an artist with no downbeat recollections or ill feelings towards the music business. (00:33)

Like Wu Tang, The North Mississippi All Stars like it raw in their remarkable custom recording space, fashioned exactly to their liking. (00:37)